this book is another example of library kismet. while amazoning for a frida kahlo doll, i came across this book and made a mental note. later that day i went to the rabobank arena in bakersfield to buy tickets to barry manilow. since we were by the beale library, i decided to visit it. and i kid you not, this book was waiting on a shelf right where i walked it. it seemed too perfect. so i checked it out.
though i dressed up as frida kahlo for halloween:
and i have seen her art at the lacma. both from their permanent collection and their recent exhibit on women surrealists, "in wonderland". i would not call myself a frida expert. in all honesty, most of what i know about her i learned from her biopic starring salma hayek. i didn't even know about her accident until the movie. i am a bit of a whimp when it comes to blood/injuries so i skipped that part of the book because it made me nauseous. the idea of her accident made me so squeamish that had to be down the book when i started reading about it. also after reading this book and the bits of her real life, i now want to read a proper biography or autobiography (i requested her diaries from the library.)
so in addition to this being a novel, it is also a cookbook. each chapter contains frida's "favorite" recipes which related to the story that was told in the chapter. we all know i can't cook but i plan on trying some of the recipes like horchata and pumpkin tamales. (so look for a post about that in the future).
and it doesn't stop there! the book also
had book club questions at the end! i think it would be cute to read this as a book club and have each person make a recipe for the meeting, maybe i can convince the PDC dance moms! we'll see.
since there are book club questions i thought i would utilize them for this blog. there are 13 but i chose my top 3. so here we go:
1. the novel begins when frida is close to the end of her life. why do you think haghenbeck chose to order the narrative this way? how does beginning the story with death affect the rest of the novel?
when i first started the novel, i thought that haghenbeck decided to start off with frida's death because it was more theatrical than starting with her birth. however, when her death did arrived at the end, i saw that he did it to give some "it's a wonderful life" flair actually more like "click" flair (yes the adam sandler movie). because you realize what you had read did not actually happen but was a peek into the future, a session with the ghost of christmases to come. and though it is very cliche (see: twilight breaking dawn part 2) in this novel it worked. i thought it was very clever, i was not expecting it. it reinforced the idea of life as suffering.
2. after the accident frida must convince her godmother to allow her to continue living. what is frida's deal with death? what would you do if you were offered a similar deal? discuss what you think about the warning frida's godmother gives before she wakes up: "you will always wish you'd died today. and i will remind you of this every day for your life." (61). at the end of her life, does frida regret living past this first death?
frida's deal with death is that she will paint a self-portrait (which explains her painting of self-portraits in real life), that will hold her place in the afterworld so she can return to life. however, death can still take her, she is not immortal. i would strike the same deal. i don't believe in an afterlife so once i die i will be worm food. since i think death is the ultimate end, i would make the same deal with death. better to be alive and suffering than dead. frida's godmother's warning just demonstrated that no one can truly cheat death because you will always be haunted by the fact that you could have died. in my opinion, death did not make frida suffer more, what magnified her suffering was that it was now filtered through a "if i died this would have never happened to me" lens. also wishing for death is not something limited to just frida (we see in this in the story with the section about dorothy hale). when times get tough most people probably do wish for death to end their suffering. death as a relief is nothing new, suicidal tendancies is more than just a band. and euthanasia does exist. frida did not regret living past this first death. if she did, she would have committed suicide earlier in the story.
9. frida is in a constant struggle to continue living her painful life. why does she choose this painful life over an easy death? think about the words "have the courage to life, because anyone can die." (7, 95, 129) how do you interept this maxim?
i think this is kind of a dumb question. why does anyone choose a painful life over death? because death is forever and life is short, so thus more valuable. she didn't chose to have a painful life, she simplt chose life. no one is exempted from pain in life, jesus, buddha, krishna, mohammad, all founded religions as a means to escape pain and suffering of their lives. why should we mere mortals be any different? and isn't that the goal of all religions, to stop the pain of life? i do believe in the maxim, anyone can die but not everyone can live. in the novel, death explains to frida that it is a true communist because regardless of class, race, ethnicity, nationality, religion, and age, death will take you, it is blind to your status. also death is easy it takes much more effort to life that it does to seize being.
sorry, just realized all of my questions were about death but those questions were the most interesting one.
one last enhance activity:
1. look up one of your favorite frida kahlo paintings and find a passage in the novel that you feel relates to the painting. discuss how the aesthetic of the painting aligns with haghenbeck's reimagining of frida's life.
one of favorite kahlo painting is "two fridas":
i saw it this summer at the lacma. and i
originally wanted to dress up as the frida in white for the halloween (bleeding heart included) but it didn't happen. what i love about this painting is the heart. it reminds me of the glowing crowned heart that is in jesus paintings. also as a gemini, i get the whole twin thing. i do feel like i have two personas, so i enjoyed seeing frida pay homage to hers.
to be honest, as i read about the godmother and frida, i had a feeling that "two fridas" would be referenced. and i was right! in the end, the veil of the godmother is removed and the painting of "two fridas" is described:
"the women removed her veil. frida the tehuana took the hand of her godmother, who was frida the death and connected the atery to her heart so that it would beat again."
i think the later half of this question is not well thought out. all and every kahlo's paintings are capable of being described as aligning with haghenbeck's reimagining, because they are art and opened to intereptation. however, i do believe that this painting does align well. since this is a favorite of mine, i was ecstatic when it received a shout out. it was interesting how he interepted one of the fridas as death especially since she did have that early brush with death. i am not sure of the actual motivation behind the painting. and though i think of the two fridas more as a discussion on how we as
individuals some contain binary options within ourselves i.e. lover/hater, virgin/whore or just different titles i.e. sister, daughter, one's occupation, etc. we are all so complex, it's like the Fiona apple song, "i'll make the most of it, i'm extraordinary machine".
there were other paintings that were alluded to and i had to google because i did not know them. though i have seen the dorthy hale painting in person it was interesting to learn the history of it via the book (wikipedia backed up the story though there was some embellishment).
the book was very enjoyable and i look forward to learning about her life in her diaries than reading it again. i feel that there are probably a bunch of inside jokes that went over my head because i am not as familiar with frida's life.
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