Showing posts with label the martian chronicles. Show all posts
Showing posts with label the martian chronicles. Show all posts
Thursday, July 5, 2012
the emperor's children. claire messud. (59)
have you seen girls?
if yes, omg! don't you love it?!?!
if no, it's a show on hbo. kinda like the urban outfitters generation version of sex and the city, but twentysomethings with a lot less money.
i'm new to girls and haven't seen the complete first season. my cousin apollo told me about it a while back but who has premium cable nowadays? well actually my cousin erin does, so i watched three girls episodes when i stayed with her. i will say that the first episode was kinda ehhh but by the third i was hooked, i even tweeted "all adventurous woman do. #girls". (though the best quote from that episode is one my friend markley always quotes: "what happens to the stuff around the condom?!?")
anyway since the series ended, flavorpill listed books to help fans fill the girls' void in their life. and yes i decided to add those to my reading list.
http://www.flavorwire.com/302791/10-books-to-fill-the-girls-shaped-hole-in-your-life
it was kinda kismet that i found claire messud's "the emperor's children". i was browsing the classic section trying to sort out what to read and was like why is this contemporary book in this section? fastfoward like a day or two and its on the list for girls so picked it up. (spoiler alert: if you have not read this, i do kinda spoil it for you. so stop here. well you can read this next paragraph but stop after that.)
"the emperor's children" follows the lives of three friends (danielle, marina, and julius) "on the cusp of their thirties" (the back of the book says this) who are trying to sort out life in nyc. it was comforting to see my fellow age group-ers with their shit not entirely together. marina was back at home with her parents (granted she did have a book deal) and julian wasn't settled career-wise and worked for a temp agency. though they still managed to live glamourous nyc lives on someone else's dime (marina on her parents and julian had a sugar daddy or a rice queen, julius was asian-who i pictured as my friend keith.)
the book has about six different story lines that intertwine and overlap. and they all involve marina's famous journalist/activist father, murray thwaite except julius, he was in this odd relationship in which he was domesticated like a chinese wife minus the bound feet. he also experienced this crazy gruesome fight in a gay club (which i visualizes as bablyon from "queer as folk.")
so marina's storyline involved her odd relationship with her father, the book she needed to write and her way too quick marriage to a horrible aussie that wanted to destroy her father via his new magazine. danielle has an affair with said father. which i found kinda hot but only cos i want an affair with an old man (though single and not my friend's dad.) then there is bootie ("like shake your?" as julius would say), marina's fat cousin who at first i cared for like one would a lost puppy. he had given up on traditional education and was going to educate himself by reading books from the library and writing essays. anyway in the end he ends up just going slightly crazy screwing over his uncle.
it was a good read, not great. the issue i had, was the use of 9/11 to resolve all of the issues in the book. i was left with too many questions. we never find out if the aussie was evil or was going to publish bootie's article. it also got murray off the hook with his affair. and i get that life paused for new yorkers but for me it felt like a cop out. maybe if i read it in 2006, i would be of a different opinion. also at the risk of sounding unamerican, it could also be because i was not deeply affected by 9/11. in my defense i was on the west coast. the distance can account for something. while reading bradbury's "the martian chronicles" i came across a passage that paralleled my indiffference to 9/11. father peregrine explains:
we heard about the wars in asia. but we never believed them. it was too far away. and there were too many people dying. it was impossible. even when we saw the motion pictures we didn't believe it.
i was unable to relate due to the distance. here all this was going on in nyc but life in delano, ca went on pretty much the same. furthermore, i was also young and at a very exciting period in my life. two weeks after 9/11, i was to start my first year of college so my life was full of hope not bleakness.
so did this fill my girls void? not really, it's kinda like hannah and the gang in 5 years. i could see hannah as danielle for some odd reason. it was a good read but i didn't fall in love with any of the characters except for julius (apparently i am a literary fag hag too). also julius
inspired me to read "war and peace" because he was always trying to sort out if he was a natasha or a pierre.
quotations:
"but he was already thirty, and the question was how?"
Tuesday, July 3, 2012
the martian chronicles. ray bradbury (58)
The Martian Chronicles
Ray Bradbury
as soon as i finished “dandelion wine” i put in a request for “the martian chronicles”. i absolutely loved “dandelion wine” but was worried about this work because i do not consider myself a fan of sci-fi. i have never seen (or had a desire to see) an episode of star trek or battlestar galactica or any of the star wars movies. (i will give star wars a chance in the near future.) but like h.g. wells, bradbury’s sci-fi doesn’t fit my preconceive notions of sci-fi (which would be pretty much things found on the syfy network. lol) bradbury himself didn’t really consider it sci-fi, as he explained in the introduction,
All that being true, how come The Martian Chronicles is often described as Science Fiction? It misfits that description. There is only one story in the entire book that obeys the laws of technological physics: “There Will come Soft Rains.”
i think the best description of what “the martian chronicles” truly is was given by aldous huxley, as bradbury explained in the intro upon meeting huxley:
huxley ‘leaned forward and said, “Do you know what you are?”
Don’t tell me what I’m doing, I thought. I don’t want to know.
“You,”said Huxley, “are a poet.”
“I’ll be damned,” I said.
“No, blessed”, said Huxley.
(before i go on, such a cute story, right? reading the introduction made me regret the fact that i never attended a talk given by bradbury and sadly being in los angeles there were plenty of opportunity for me to do so.)
i have only read three of bradbury’s works (i really want to read, “something wicked this way comes” but am saving it for halloween) but i have to agree with huxley for bradbury’s works really are poetry.
"the martian chronicles" is a collection of short stories that chronicles earthlings missions to mars which leads to the colonization of mars by earthlings and lastly the destruction of both mars and earth. but mars isn’t just the red planet we learn about in science books, its more like mythical greece, and like mythical greece, readers get caught up in stories while ultimately gaining a better understanding of themselves and society.
here are some examples of his stories being more than just aliens and astronauts:
-“Ylla”, the first story, and the name of a martian housewife who is no different from any other american suburban housewife (think "desperate housewives", yates' "revolutionary road") bored by her standstill life and full of dreams of a more exciting one. then sadly having those dreams crushed by her husband.
-“The Earth Man” is a story that reminded me of “girl, interrupted” (the memoir not the movie) or “one flew over the cuckoo’s nest” (which i never read but kinda get the gist of it). it’s the story of “real" astronauts that are institutionalized because they are thought to be the figment of an “insane” martian’s imagination.
“-And the Moon Be Still As Bright” is the story of expedition to mars in which one member Spender worries about the consequences of the colonization of mars on martians and their culture. Spender fights his fellow humans in attempt to preserve mars. it's an interesting foil to the european colonization of the americas and southeast asian counties. esp considering how one negative effect of humans on mars is that the human virus “chicken pox” results in the death of thousands of martian.
-“The Green Morning”- tells the tale of Benjamin Driscoll, the martian johnny appleseed who solves the problem of low oxygen levels by planting trees on mars. which can be seen as an endorsement for being green.;
-“the fire balloons” demonstrates that one should be tolerant of all religions. a group of priests travel to mars to save the souls of those that migrated before but come across martians and their religion. the priests learned that god can be found in all shapes and sizes (there is a great discussion of what the chinese christian god must look like) and that there is not only just one right way of worship.
my favorite of all the stories was “usher II.”
if you get the chance take the time to read "the martian chronicles." and if you don't like sci-fi, you'll be fine. it reads like episodes of the twilight zone so they go by quickly. i suggest picking up a copy and putting it on your bed table and reading a story a night.
quotations:
"and they made Alice drink something form a bottle which reduced her to a size where she could no longer cry 'Curiouser and curiouser'" -description of what the government did to books in "Usher II"
"but already the words hung between planets and if, by some cosmic radiation, they could have been illuminated, caught fire in vaporous wonder there, her love would have lit a dozen worlds and startled the night side of Earth into a premature dawn, she thought." -description of janice's phone call from earth to her lover on mars in "the wilderness".
food for thought:
missions to mars in "the martian chronicles" started in 2030, which is 18 years from now. and on the plus side, legislature to censor books began in 1999 with "the great fire" being in 2006, so we are safe from that being our fate.
last but not least, i recently went to the hammer museum for their "made in LA" exhibit and found myself on what felt like bradbury's mars. (Pearl Hsiung. From Above It Is Not Bright; From Below It Is Not Dark, 2012)
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