Showing posts with label ernest hemingway. Show all posts
Showing posts with label ernest hemingway. Show all posts

Tuesday, December 10, 2013

kiki's memoirs. alice prin. (153)


as i was reading the graphic novel, kiki de monteparnasse, i began to wonder where the stories told came from.  so i searched the library catalog and came across kiki's memoirs, written by kiki with an introduction by ernest hemingway!  

when i picked kiki's memoirs up, i was surprised by how thin it was, i wanted all the juicy details from her life and wasn't sure if the memoirs would give them all to me.

the first half of the memoirs are kiki or her actual name alice prin's actual memoirs .  she explained how her grandmother raised her along with her five other cousins, all who were bastards (for lack of a better word).   when she was 12, she moved to paris to be with her mother.  she worked odd jobs and longed for love.  then due to an argument with the baker she worked for kiki ended up with her first art job, posing for a sculptor.  she then began modeling for various artists and even painted her own art.  her biggest contribute to the art world was a result of her she meeting american surrealist man ray.  she became his muse and together they created beautiful art specifically photography.  here are some of my favorites and of course their most famous photograph:




kiki's memoirs were a bit confusing to read, it jumped around and she shared odd details but they were interesting since she was quite the character.  

one interesting story kiki discussed was the time that she was in jail for assaulting an officer but luckily man ray came to help her and she was released.

the later half of the memoirs is an interview from a paris newspaper.  i enjoyed this portion more because kiki was older, 50, and wiser.

there was one story, kiki shared about her grandmother that caused my admiration of  her grandmother for raising the grandchildren.  kiki shared how the neighbors told her to turn to public assistance for helping raising the kids to which she responded "i will raise my bastard, its nobody else's business.  it's the jerks their fathers who should be blamed."  everyone likes to blame the woman for bastard children but people forget that they have fathers too.

i loved how kiki was not ashamed of her bastard status.  she shared how she would run into her half sister and the sister would tell her, "i am going to tell my father" to which kiki responded "i don't give a damn, he's my father too."  

however, kiki's father was horrible, she shared a story of him trying to poison to kill her but her grandmother saved her. being abandoned by both parents caused much pain for kiki, as she sadly shared "no one knows what sorrow fills the heart of a child who doesn't have a father, whose mother is far away and whose only tenderness in life comes from a grandmother."

kiki's childhood was filled with sadness and misery.  she shared words of wisdom as she reflected on her sad memories.  she explained "when you meet an ugly and neglected little girl with her head shaved like an egg, don't laugh:  pitiful hair makes grown-ups loath but little ones cry."  from when her grandfather died, "death among poor people is not a catastrophe as it is among the rich, and when you have slaved all your life and barely succeeded in feeding yourself, the final departure is considered a deliverance."  kiki also shared about her mother's cold indifference towards her.  she discussed how she would become embarassed when other kids called their mothers, "mama dear."  she explained that she "would have let all [her] pain and [her] desire to be able say 'mama', since i was never permitted to say papa . . ."  how sad to feel unloved as a child.  however though her childhood was tragic, her life improved because of art.  it wasn't all glamour but when it was it was, it was glam!

the interview was not all sad stories.  kiki shared stories that demonstrated her colorful and vivacious spirit.  one of my favorite stories was how she took lace samples from a catalog and pinned them to her coat so that they looked like a beautiful blouse which people would compliment!  i also delighted in her stories about peré libion, who supported artists by feeding them at his restaurant.  i loved how at the one opening he brought champagne explaining he had provided everything else he might as well provide that (the artist had stolen place settings from his restaurant.  lol)

it was an interesting read and nice to see kiki discuss herself in her own words.  since it was brief, it left me wanting to know more which i will hopefully discover in the graphic novel.

ps i have to add kiki shared how her mother told her "country bumpkin you are and country bumpkin you shall be." i am country bumpkin that loves the city but feel that regardless of how far away i may move away, i am still a little bit country!









Monday, August 20, 2012

for whom the bell tolls. movie verison.

i went through this hemingway kick earlier in the year because of woody allen's "midnight in paris" and of the four works i read by him, "for whom the bell tolls" is my favorite. i youtubed the trailer for the 1943 film version of it but had no real desire to watch it. then the other day while checking out what movies TCM is airing this month decided to check this out.

first and foremost, this movie is long. 170 minutes long. i know the book is thick but i became so engrossed in it that i flew through the pages. the movie not so much, there were parts where i did stop paying attention. i mean the overture at the beginning confused me, i thought there was something wrong with the library's copy. also there is an intermission. that is how long this is. but i can overlook its length because it stayed true to the book and did not give it a hollywood ending. i was really scared at the end that it would be some overdramatic we live happily ever after story but thankfully it wasn't. but then again who edits hemingway?

the film stars gary cooper ("super duper". . . yes read in a taco voice) and ingrid bergman. this is my first cooper film and second bergman one. i was surprised with the casting. in my head, roberto was younger and maria looked more like natalie portman sans hair ala "v for vendetta". also bergman didn't read very spanish to me. i mean her acting was great but visually just wasn't maria.

also i hate to be mean but i thought gary cooper was horrible. isn't he some hollywood legend? any suggestions for better film of his to see? or is famous cos of his good looks versus acting ability? he is definitely drool worthy but i found him and his acting stiff. and is his voice just too famous cos i thought it was monotonous and expressionless. the voice over at the end made me cringe. i just didn't believe him, he lacked the passion i imagined roberto possessed. that last goodbye to maria did not read sincere.

also what was with all the bad make
up on the spanish? the old man is a great and sweet character but it was hard to take him seriously with the skin tone they gave him. the same thing with pilar. pilar is a strong and important character (katina paxinou won an oscar for her performance, according to the backcover) but the make up made her look silly and exaggerated. which i guess mirrors the character, but still also i pictured her fatter. but don't get me wrong, paxinou deserved that oscar.

like i said earlier i appreciated that the film stayed true to the story. i appreciated the use of "unmentionable", "obscenity" and "spit in your milk" which was taken straight from hemingway's dialogue. i loved the vignette of pilar's memory when they overthrew the nationals. that part in the book had me on the end of my seat. i am also glad they did not shy away from maria's backstory. though roberto and maria's lack of sex was expected (it's interesting to think that if a remake was made now this would be included), i think an important part of their relationship was her ability to have sex with him but in the 40s that would not have been okay with audience. i guess they covered that with the whole "you are the first man i kissed" bit. i also missed roberto calling maria, rabbit.

all in all it was worth the check out. but once again an example of how the book is always better.

ps gary cooper reminded me alot of jimmy stewart. but i love and prefer the later.